Dirty Montréal 514 Series: Part I
Some steps to do before checking this band:
Some steps to do before checking this band:
- A) Order a poutine. Don’t forget that if it’s not cheese curds, it’s not poutine and you should probably reconsider your life if you don’t mind shredded cheddar on your poutine. If you’re in the city, I’d suggest Poutineville.
- B) Put some wool socks, it’s winter for fuck’s sake.
- C) Cancel your psychiatrist appointments???????
That new quintet from Montréal will fill your bathtub with a year worth of filth. Unleashing three five minutes songs of thundering sludge/doom, Grales takes you by the hand and shows you how dejected and depressing their city can be. That period between autumn and winter where the ground is getting dirty and the snow can’t decide if it wants to stay or just melts into small putrid lakes of icy water is what that band sounds like. I mean that in a self-loathing but positive way, of course.
The
guitars are thick (thicc?) and sounds like you’re constantly
falling into brown snow because there’s a thin layer of ice beneath
it. The bass is huge too (as it
should be) and the drumming is varied, well executed and made me lose
my mind from time to time. The vocals are also insane, they
have the right amount of viscosity and poison to automatically
provide you with the number of a weed dealer who’s probably gonna
try to sell you meth too.
Grales
gets hypnotic too. The start of “Cult of Domination” reminds me
of the psychedelic elements that Ufomammut are known for. Considering
they’re a quintet, they’re really able to keep things constantly
filled to the brim and this helps when you want to create intriguing and inspired atmospheres. Two guitars are definitely efficient at giving you a big,
loud and fully realized sound.
Despite keeping their compositions to a standard length, they’re able to explore some different rhythms and tempos. They’re also quite good at keeping things airy and they know how to stay pertinent without bludgeoning the listener with a constant volley of vocals.
Despite keeping their compositions to a standard length, they’re able to explore some different rhythms and tempos. They’re also quite good at keeping things airy and they know how to stay pertinent without bludgeoning the listener with a constant volley of vocals.
They think of themselves as antifascist sludge and in a tense metal scenes
where some people are too tolerant and friendly towards racism and
white supremacy, it’s always nice to know that some members of the
metal scene won’t stand for that kind of behaviour.
“You won't get your 'ethnostate'
Your obedient wife with a smiling face
You won't get your 'rightful place'
As the master caste of the fucking 'master race' “
“You won't get your 'ethnostate'
Your obedient wife with a smiling face
You won't get your 'rightful place'
As the master caste of the fucking 'master race' “
Well said, dudes.
Tape release by the excellent Québec label From the Urn (Lochness, Marécage, Grand Morne...)
Bandcamp
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