Local Sounds: Volume 7.0

Happy new year everyone. I’m back with the seventh volume of Local Sounds, a series showcasing the best non-metal music being made in Montréal and Québec. I have three excellent releases to talk about today.

Les Indiens – Shaman UFO (2016)

The Quebec City quartet impressed the hell out of me when I’ve seen them in Montréal (with Grand Morne and Gerbia) back in 2014 but I pretty much forgot to check their latest album until the first month of 2017 appeared. On this lush full length, the dudes created a super cool form of rock with extensive metal influences. With nods towards Kyuss, Sleep and (obviously) Black Sabbath, Les Indiens unleashed a wide array of heavy riffs with enjoyable but buried vocals (their lyrics are all in French.) Furthermore, they have this spacey vibe as demonstrated by the Shaman UFO interludes and the use of psych elements right from Flower Travellin' Band's handbook. The production is also top notch and their sound is a natural mix of modern feedback and vintage roots. Massive, fun and interesting, this is an album worth checking out for fans of loud and smart rock music.

Bandcamp







Security – Arid Land (2016)

The debut extended play from this duo (two members from Dernier Sex) is faithful to its geographical origin. Like Montréal's winters, it's cold but mysterious, lifeless but highly active like an undead corpse. Composed of four numbers, the EP combines lush industrial with loud but subtle drum machines, coldwave, ambient, noise rock and drone and it's highly addictive and evocative. The warm clean vocals of Anna Arrobas are providing a peculiar contrast with the icy instruments, they’re in the background giving us hope that winter is almost over. It’s stripped down music to its core and the relationship between the guitar and the bass of Élie B. Faubert is one of balance and complementarity. I was expecting something great after heir fantastic performance with Rakta right before the summer and this didn't disappoint at all.

Bandcamp









Atsuko Chiba – The Memory Empire (2016)


The Montreal quintet is definitely one of the most interesting bands we have. Released during a gig with the excellent Milanku back in December, this three songs extended play explores the many facets of Atsuko Chiba’s identity. From the Rage Against the Machine inspired hip-hop vocal attacks to the psychedelic synths and funky metallic moments. Their palette of sounds is as extensive as the one of The Mars Volta and it’s truly difficult to pinpoint everything they do and create. They’re able to move the listeners with their drawn-out instrumental movements such as the opening of closer “Damonsta Titillates” and they don't even rely on repetitiveness or the generic crescendo formula used by most post-rock bands.. Borrowing elements from many scenes, the band is an outsider who’s doing what it truly wants. They’re shaking genre conventions with heavy guitars, thunderous bass licks and progressive explosions and I love it.

Bandcamp

Local Sounds: Volume 6.0

To celebrate the end of my spring break, here's two reviews of  some very interesting local bands and one observation about a young Québec rock classic.

Le Winston Band – Rembobine (2015)

Discovered once again with the help of the guys of Poulet Neige, this sextet plays an explosive form of folkloric music with a fun and interesting modern vibe. Inspired by Quebec trad music, there's also a strong Cajun side to 'em and it almost makes you regret the fact that Louisiana is American now. Armed with violins, accordion, Zydeco, lap and pedal steel, the band also incorporates the traditional rock instruments like the electric guitars and bass to insert a fresh breeze. Despite the young age of the members, authenticity is important for them and they totally achieved their goal. The vocals are nasally and recalls the 60s Quebec country legends that my grand father always liked.

Great album for those who think folk music is a dead genre, not trying to make their sound more accessible like Les Cowboys Fringants did. Le Winston Band are like an reinvented, version of the old Québec/French Canadian folk television show Soirée Canadienne and it's worth your time if you like the genre.

Bandcamp/PWYC

Vapeur – L'effort (2016)

A new project formed by 4 young musicians from Montréal, they share 3 members with Le Winston Band including Andrew Duquette-Boyte (guitar, vocals here, also in metal band Tribunal that I've reviewed some years ago) but it's a completely different beast. It's francophone rock with a strong emphasis on fast paced guitar riffs giving a dance rock feel to the songs. It reminds me of the early garage rock revival instigated by The Strokes or the dance indie of Franz Ferdinand. The 3 songs are well produced, the guitars are incisive and lovely as well, there's an urgency to their music and the flexible and airy production is really adequate. While the music is pretty damn good, the lyrics of Andrew were the clear highlights for me, they're intelligent without being pretentious.

À la vitesse sonore la vérité gravite autour . Tel un cercle de vautours vantera l'oreille d'un sourd 

It's international (in the best way possible) high caliber rock but there's still an interesting late 80s, early 90s Québec rock influence. A promising first offering from Vapeur, I hope that they'll play live soon!

Bandcamp/PWYC

Malajube – Trompe l'oeil (2006)

10 years anniversary observation

In my eyes and the eyes of many, this album is one of the most important Quebec rock records of recent times. I was 16 years old when it was released and it was an essential component of my musical diet back in the day and I've been revisiting it recently to celebrate its 10 years anniversary and it hasn't aged a day and I doubt it will ever become outdated. Anyhow, it made me realize how fast time flies, I still remember playing it to my dad in the car when I got the CD, it was a bit too insane for him!

The variety of Malajube's sophomore album (after the excellent Le compte complet released 2 years prior to this one) is astounding. From metallic rock like “Le crabe” to the poppy hit of “Montréal -40 C” with its glorious synths and the guest vocals of Pierre Lapointe, the ethereal and dramatic “Étienne d'août” or the contribution of local hip hop heroes Loco Locass on “La russe”, they do almost everything and they do it extremely well.

The vocals of Julien Mineau always made sure that the band never really became totally mainstream, like their lyrics (all about illnesses and the likes), they're peculiar and the fact that they're often buried under the instruments managed to get non-francophone medias interested in the bands despite the language barrier (Pitchfork wrote a positive review for the album as an example).

Malajube are now sadly split up or inactive, their 2 albums after Trompe l'oeil were good but they never managed to reach the same level of quality and groundbreaking emotional experimentation they did here. Mineau has a new more symphonic project called Fontarabie and they're also worth checking out.

Just like Karkwa's Les tremblements s'immobilisent, this album was highly influential on the Québec music scene and will be for years to come.

Local Sounds: Volume 5.0 - Poulet Neige 2015 Special

Poulet Neige is an awesome website that gives you a bunch of free (or pay what you can) albums from Quebec and Canadian bands for Christmas. It's unfortunately over for this year but be sure to keep in touch with them and register for the future edition. I got many albums thanks to this initiative and I've picked 4 of 'em for this volume. These bands all evolve in similar genres, blending indie, alternative, psychedelic rock and progressive rock together and they're all from the province of Québec and the Montréal area. 

Poulet Neige on Facebook

Uubbuurruu – Swamp Ritual (2015)

The debut EP by this Montréal quintet is quite cool. Due to the demented purple artwork, I was expeting some hard and heavy stoner metal but it's way more subdued than that. Dwelving into psychedelic rock, stoner rock, shoegaze and even blues rock, the band is definitely influenced by the excellent and popular british band Uncle Acid and the Deadbeats. They have the same sort of buried Beatles-esque vocals and super fuzzy riffs. While not totally metal, they deliver heavy tunes like the speedy “I Don't Mind” or the super psychedelic closer “Radio Waves”. With the track “Dear God”, they proved that they're also capable of writing excellent ethereal blues/folk as this song sounds like a mix of Dylan and My Bloody Valentine. Highly recommended extended play, the future is bright for these guys, you should learn how to pronounce and spell their name already.

Uubbuurruu on Bandcamp

Richelieu – Richelieu (2015)

The trio from Montréal released their debut full length this summer and while I totally love their musical abilities and the music created here, the vocals and lyrics weren't totally convincing. They're influenced by the old prog rock of Québec (see Harmonium or Octobre) but they also combine this with a singer songwriter approach and some indie leanings. I thought it was a bit kitsch but frankly it's hard to make the French language work in a rock setting, I can count on my two hands the artists I really like that use my mother tongue successfully (Alain Bashung being one of them).

It's a varied album, from rougher moments like “D'la scrap” and its garage rock feel to the soothing “Repos”. I think Richelieu is at their best when they're instrumentally minded and unleash their true prog rock side like on the Gentle Giant-esque instrumental track “Dernier tableau” where the guitarist David Chassé truly shines. The synths an mellotrons are sounding good and can recall Supertramp at times, it's a good album but there's some aspects I like more than others and I'd like to see some more of those proggy harsher explorations instead of pop songs but that's just me.

Richelieu on Bandcamp

Corridor – Le voyage éternel (2015)

After the excellent EP, “Un magicien en toi” released in 2013, Corridor released “Le voyage éternel”, their debut album, back in May. They play a vivid genre mixing jangle pop, psych/progressive rock and indie and it's super good! There's a lot of reverb in the vocals, a bit like Malajube used to do, this is one tactic to make French lyrics work in a rock environment, a recurring problem I've mentioned in the previous review. The highly layered vocals are creating a smooth and the duel guitars are often loud, juggling atmospheric riffs and cool bass licks. The musicianship is impressive but they keep things subtle, that's something that one of their main influence (R.E.M.) always did as well.

In the end, the songwriting is what matters the most and they truly deliver the goods. Corridor writes short song (for a psych/prog band...) but their compositions are rich, dense and rewarding. They convinced me with their unorthodox riffs by mixing a strange psych approach and an endearing romantic side. One of the best québécois albums of the year and it's much better than the last album by Tame Impala!

Corridor on Bandcamp

Renard Blanc – Empire Onirique (2015)

After Karkwa's impact on the Quebec music scene, it was logical to see bands follow their paths. Renard Blanc (white fox) is one of them. Hugely influenced by Radiohead's early stuff, the ten songs of this debut album are atmospheric proggy rock with layers upon layers of sounds. I really like the “La guerre des tuques” (a cult children movie) in “Doucement”, it was an original choice!

While it's usually a dark or introspective genre, this trio (with the help of a session keyboardist) are keeping things rooted in positivism but without being cheesy, overly sunny or saccharine. Their explorations are calm, often instrumental with interesting percussion and the Thom Yorke inspired vocals of guitarist Vincent Lepage. Certainly recommended for fans well written soothing alt rock.

Renard Blanc on Bandcamp

Corridor and Renard Blanc are playing with the excellent Ponctuation (another band I recently got into) in two weeks, I'll try to be there! Event: @Divan Orange

Stay tuned for a sixth volume of Local Sounds in the upcoming weeks.

Local Sounds: Volume 4.0

Christmas is near even if there's snow decorating the streets of Montréal and I felt it was time to deliver the fourth volume of this Local Sounds series. It's a series of short reviews about the best and most interesting non-metal music of Québec and its surroundings, sometimes it's artists in French, sometimes they sing in English but it's always meaningful and deep music. Also, I always try to focus on up and coming bands offering their music for free or pay what you can online. This edition has 4 unique projects all living in the province of Québec.







Le Pélican Noir - Le silence tendu au dessus de nos têtes comme un orage en suspens (2013)

The debut EP by this francophone collective is some sort of highly atmospheric instrumental indie rock/post with slight electronic touches. There's a lot of piano, accoustic guitars, synths, violin and a bunch of other weird instruments. They have the rich, entranced feel of Sigur Ros, the song “La quadrature du cercle” really reminded me of the renowned icelandic band with its subtle keys arrangements. Highly recommended release, it's relaxing in a strange way.

I'm excited to hear their 2015 record that I'll get on Christmas due to the very cool initiative of Poulet Neige. The platform is basically a bunch of local artists giving their music, you pick the number you want and you'll receive the files on the 25th.

More info here : POULET NEIGE

Free download : Le Pélican Noir on Bandcamp




Les Passagers – Le ciel est noir (2014)
Speaking of Poulet Neige, it's because of this website that I've discovered this next band! This quintet led by Andréanne Muzzo (vocals, synths) et Nicolas Ferron (guitars, synths) plays a form of ethereal indie pop with soft and cute vocals by Andréanne. The lyrics in French are lovely, poetic and full of imagery (especially “Acheter ta peau” or “Buy your skin”) but the band is never kitsch or too much despite the 80s synths influence. This will make you feel good in less twenty minutes. It's sunny but not overly so and fits all the seasons we can experience in Montréal.

Free download: Les Passagers on Bandcamp

Barricade – Rapide Sept (2015)
From Rouyn-Noranda (7 hours north of Montréal), this instrumental trio is quite interesting. They're groovy, atmospheric somewhat metallic post hardcore with a lot of feel and a solid, airy production. The songs, almost all titled with names like Tony, Max or Cindy are all quite short and never waste any time getting their point across, they're not a meandering band like many of the post-whatever acts we can encounter nowadays. They remind me a bit of Karma the Burn but without the stoner metal elements, just blistering instrumental energy thrown at you for a short while.

Free download: Barricade on Bandcamp



Nüshu – EP 2014

Sharing two members with Politess (a band featured on Local Sounds volume 3), this unisex project is also fairly weird. The noisy punky alt rock band has shouted, piercing vocals, flowing post punk riffs and groovy drumming. The lyrics in French are absurd or amusingly vulgar (like the surprinsingly aggressive song about the color blue). Fast paced blurbs of controlled insanity is what you'll find here and it's pretty enjoyable! This 10 minutes or so EP is promising and Nüshu is currently working on something new based on their Facebook page

Free download: Nushu on Bandcamp



Stay tuned for volume 5.0 due in early 2016!

Local Sounds: Volume 3.0

 

Tonight's volume is all about bands with some post hardcore elements who are mixing this with a bunch of other styles. There's 3 bands from the glorious city of Montréal and one from Drummondville, enjoy and don't be afraid to send me recommendations! Thanks to Pascalou and Étienne for some of these recommendations.

Atsuko Chiba – Jinn (2013)

One of the best bands in Montréal, Atsuko Chiba (a character in the anime series Paprika apparently) plays a visceral and super interesting blend of experimental rock, post hardcore, post rock with a mix of explosive and atmospheric guitars. It starts with a 5 minutes psychedelic introduction with some flutes and a lot of Gilmour-esque guitar explorations before. There's not a lot of vocals and there's barely a need for them but it's used sporadically and it works well. “Qvox” has this excellent At the Drive-In influence with these almost rapped, almost screamed vocals. The instrumentation is rich, ranging from acoustic guitars to keyboards, there's a lot of stuff going on here. It's mostly contained in short songs for the genre(s) except for the final track “One Big Happy Family” and its 23 minutes length reminding me of the project of Rodríguez-López and Bixler-Zavala formed when ATDI ended, the mighty The Mars Volta. While it drags a little, the instrumental song has a wide array of emotions ranging from almost metallic guitars to softer moments. I have yet to see them live and I must fix that!

Atsuko Chiba on Bandcamp

The Expectorated Sequence 

First Juice [Power] of the Shit (2014) + The Prolonged Disaster (2011)

These dudes are playing some sort of super heavy grindcore with hardcore, screamo and experimental touches. Their songs are obviously short with a devastating production and vicious vocals. First Juice, their fourth album, is more streamlined and angry than the the excellent The Prolonged Disaster which explored post hardcore, screamo and even metal at times more thorougly (listen to a track like “Scum of the Earth”). The francophone quartet (all their lyrics are in English though) has nothing to envy their American rivals, their sound is dark, brooding and has plenty of heavy riffs intertwined with soft, spacey sporadic moments. Both albums are highly recommended but I prefer The Prolonged Disaster due to its versatility. It's insane music that makes you feel good!

Expectorated Sequence on Bandcamp

Nous étions – La manière noire (2014)
Il a des trous dans le ciel!
The screamo/hardcore/post hardcore Nous Étions (we were in English) are about to start recording their debut full length after two pretty good Eps and I'm sure it will be extremely interesting. Their approach is quite lovely, melding harsh but understandable vocals (with poetic French lyrics) with heavy guitars full of feeling that are still incisive enough. There's a lot of introspective moments too like the beautiful “Le Journal De Ricardo Lopez” and while the vocals are constantly on the hardcore spectrum, La manière noire (the black way) is a surprisingly soothing release. The melting pot of genres (minus black metal) isn't quite far from what Deafheaven did with their seminal and future classic Sunbather. 
 
Nous Étions on Bandcamp

Politess – Politess (2015)

The project from Drummondville is, based on their own description, “Everything your mom doesn't like” and unless your mother is into experimental hardcore/crust/rock/grind/metal, they're probably right. Their self titled debut full length is one hell of a trip into their musical dementia. Simply by looking at the songtitles, you know you'll spend a special moment with these guys, songs like “The New Chicken”, “Everything I Touch Turns Lesbo” or “Give Me Back My Virginity” are totally bonkers. They're certainly silly but they know how to compose cool stuff with a lot of tempo changes, groovy riffs and screeching vocals. One of the best bands out of Montréal and recommended if you like a huge dose of what the fuck in your music. There's even some saxophone on “La patère” and this adds a Naked City feel to the whole thing. Politess definitely did their homework while listening to Mr. Bungle and Anal Cunt and I'm giving them an A+.

Politess on Bandcamp

Local Sounds: Volume 2.0

Here's the second volume of this series with five projects from the great city of Montréal. They're all widely different and that's a living proof of the quality of our music scene. I will not waste any time by talking about the weather or whatever, let's start with the first band!

Eliza - A Quit Smoking Soundtrack (2014)

This young Montreal band call their music « prog de casquette » or “hat prog” and while this is a weird description, it's oddly fitting. Their blend of super atmospheric and sad alternative rock certainly has progressive rock influences but the more ethereal ones. I was reminded of the Norwegian band Gaspacho a little since they both play this sort of adventurous but still accessible rock with superb, soaring clean vocals. It's romantic and the guitars are able to create these original yet familar melodies effortlessly. These Quebecois are one of the most promising bands in Montreal and hopefully their debut full length will live up to my expectations and by singing in English, Eliza can open the doors of interntational recognition a bit more easily, they're certainly quite talented and they deserve more admiration. I've missed one of their recent gigs with She Serpent (featured on Volume 1.0) and I feel bad about it.

Free download on Bandcamp

Carnior – Post-Sauce (2014)

Carnior are about to release their third extended play (and final one since they're breaking up) but this is one of their albums released last year. The instrumental quartet is quite interesting, they play an intriguing mix of neo progressive (think of The Flower Kings' love for Yes and Peter Gabriel era Genesis) with some post rock, some electro, some psychedelic, some experimental noise and a love of jazz technics. The bass is thick and heavy in the mix and the keyboard and pianos are really cool and in your face. The guitars are obviously influenced by Steve Hackett (one of the most underrated guitarists of his time) and are particularly juicy, check out the soloing midway through “Dark foncé (sul' sofa)”, it's super good. They'll play their last gig next week (September 23rd) and I'll try to attend!

Free download of Post-Sauce on Bandcamp

Basil Oussaint – Agile (2015)
This dude really managed to get me out of my comfort zone (outside of showcasing the best local music, this is certainly one of the purposes of this series) with this album. Agile, his sixth release overall, is a joyful and eccletic blend of pop, world music, electronic, house and synthpop and it's extraordinarly catchy. It's super sexy, the beats are awesome and his vocals and lyrics (all in French) are super attractive and corny in the best way possible. Basil has basically no internet presence outside of this Bandcamp page but fans of the great Philippe Katerine's most out there material will dig this record. Bonus point for having a cat on the cover art!

Free download on Bandcamp

Golden Python – Matt Damon vs. The World (2014)
Since I saw Team America in the theaters (damn, this was more than 10 years ago), the “MATT DAMON” joke has always been one of my favorite running gags so the title of this album by Golden Python got my attention. Their first EP is a fantastic experimental indie rock record with some math rock and screamo influences with fucked up lyrics. I was reminded of Modest Mouse a little mostly because of their unorthodox musicality and weird poetry. There's almost a video game music influence here but it's all played with the traditional rock instruments, the guitars are really playing these complex and strange melodies (check out “Flat Tree / Fat Tone”). Highly recommended for those who think indie rock is boring, this is far from being mundane.

Buy the EP on their Bandcamp

Growing Pains – Mood (2015)

Released back in June, this EP is simply a stunning piece of grungy power pop/punk/alternative rock and I can't get enough of it. It's very 90s and has the same mournful but uplifiting feel early Weezer had. It's all about being concise and punchy unlike some of the more intellectual and atmospheric picks of this Volume. I really like the four short pieces on “Mood”, especially the softer one “Paradox”. I want more of this! It's sweet nostalgic music, it's accesible, melodic but has enough power in the riffs to not be a sacharrine affair devoid of intellectual integrity like most of the mainstream pop punk projects.

Live with Pluum (featured on Volume 1.0), Golden Python and 2 other bands soon @Turbo Haus


Free download on Bandcamp

Local Sounds: Volume 1.0

Here's the first volume of a series highlighting the best non metal music of Montréal, Ottawa, the province of Québec, the province of Ontario and their surroundings has to offer (hardcore, rock, punk, post rock and more). All of today's picks are free downloads (or pay what you can) on Bandcamp so there's no reasons not to support and listen to these great bands.

She Serpent – She Serpent (2015)

This Montreal quartet formed in 2014 and released their first extended play in February of this year and it's superb. The four songs release is full of heavy bass licks and thunderous guitar riffs evocating the coldness of 80s post punk, the psychedelic/kraut repetiveness of Loop and the modern contributions of Interpol, Savages or even Bosnian Rainbows. The vocals of Melanie Brenda are the highlight here, they're powerful, entrancing and possess this sort of androgynous quality befitting of the post punk style. A super great discovery, I must see this band live!

She Serpent on Bandcamp

Pluum – Pluum (2015)

Pluum (based on the word "plum", a tasty fruit) released their first EP in July and it's a pretty damn cool piece of music. Influenced by the likes of At the Drive-In, it's emotional post hardcore with some clear atmospheric and shoegaze moments. The vocals of Xavier are purely in the harsh screamo territories and it creates a sort of dichotomy when confronted with the clean guitars.The three songs are short, packed with a lot of energy and diversity and never boring. It's heavy (listen to “Monday”) but it's always quite beautiful and has these pleasing lush melodies. A very mature first effort from these guys.

Pluum on Bandcamp
Next gig @Turbo Haus

Durs Coeurs – Durs Coeurs (2015)

From Ottawa, this punk rock band formed by Patrick Pageau (the ex drummer of doomsters Cauchemar and the guitarist of the now defunct trashers of Bastardator), Durs Coeurs is frankly awesome. Even though they're the only band not from Quebec featured here, they're the sole one with French lyrics and that's pretty cool.I'm not a big conoisseur of punk but I dig their old school approach, there's also plenty of rock & roll in Durs Coeurs (hard hearts) and I freaking love the guitar tone of Pat. The vocals are manly and the lyrics are simple, well written and downright fun to sing. If you like the poppy, super fast and melodic punk of Ramones, you'll like this demo a lot. Dan Lee, the drummer of the black/thrash band Occult Burial and heavy metallers Iron Dogs drums on this and the speed he brings certainly fits their sound. Highly recommended, I just can't stop listening to this.

Durs Coeurs on Bandcamp

Angles - Lysergic Eucharist (2015)
Formed by Sean Arsenian of The Great Sabbathini (sludge), the leader of Animal Ethics (punk/hardcore/noise) and the drummer of IRN (sludge/doom), Angles is somewhat of a Montreal super band and their first release certainly proves that their collaboration is one of quality. The six minutes release is a mix of powerviolence, non metallic grindcore, some doom (the closer "Brautigan's Gun") with some sort of psychedelic/spacey vibe that's covering the whole thing (just look at the three eyed undead Jesus on the cover to have a visual summary of that). It's nasty, fast as fuck but it's not savage, it's intelligent and nowhere near sloppy. It reminds me of Kylesa but mixed with the impressive power of Nails. Bonus points for their great song titles like “Tampons In September” or “Alcoholic Cousins”. I feel bad for missing their first gigs, I'm sure it's something special!

Angles on Bandcamp