Once again, la Belle
Province produced a talented black metal artist and like most of his
brethren, Décombres is of the highest quality. Québec's warehouse
of métal noire is renowned in the underground and in my honest
opinion, it's the best scene this side of the Atlantic. Biased
opinion aside, Philippe Boucher, the sole creator of this album is
damn talented and his first album is a really fine slab of
interesting and classic black metal.
Boucher, also the drummer of a technical death metal band called First Fragment handles all the instrument here and it sounds good. Don't be scared if you think tech death is atrocious, there's no hints of this genre here. It's pretty much Norwegian styled black metal without frills and major surprises, but the quality is there. The riffs are sometimes dissonant and they stay simple most of the time, but they are excellent. The music is guitar driven and there's good short and simple leads here and there, like in the third track "Élévation". There's an epic feel throughout some songs, "Dernier Souffle", the longest track of the album at around 8 mins has this feel reminding me of the early and arguably good Satyricon albums. There 's a cool clean vocals break that took me by surprise, it was quite in the background though, but I feel Boucher should expand this side of Décombres, it was definitely a cool element, I'm probably biaised again by my love for Primordial ! Eh, give me a break, there's some similarities between Ireland and Québec! The kind of atmosphere you'll get here is similar to Darkthrone's seminal trilogy mixed with the more dissonant black metal path, Thrall from Australia is worth a mention. Also, it reminds me of the riffier side of Burzum's early imput with a better and crisper production, of course. The bass is quite buried under the mix, but that's something I was expecting with this kind of black metal, the focus is on the guitar and it's rewarding enough. As far as I know, Boucher being originally a drummer isn't crazy about innovation here, it's professional enough and that's fine with me, the use of cymbals is particularly good. The production is great for a first album, there's no problem there, however, I would prefer the vocals to be a bit more present in the mix, but that's a minor complain. The vocals are your traditional black screechs and while being great, they don't break any new grounds, why would they anyway?
Boucher, also the drummer of a technical death metal band called First Fragment handles all the instrument here and it sounds good. Don't be scared if you think tech death is atrocious, there's no hints of this genre here. It's pretty much Norwegian styled black metal without frills and major surprises, but the quality is there. The riffs are sometimes dissonant and they stay simple most of the time, but they are excellent. The music is guitar driven and there's good short and simple leads here and there, like in the third track "Élévation". There's an epic feel throughout some songs, "Dernier Souffle", the longest track of the album at around 8 mins has this feel reminding me of the early and arguably good Satyricon albums. There 's a cool clean vocals break that took me by surprise, it was quite in the background though, but I feel Boucher should expand this side of Décombres, it was definitely a cool element, I'm probably biaised again by my love for Primordial ! Eh, give me a break, there's some similarities between Ireland and Québec! The kind of atmosphere you'll get here is similar to Darkthrone's seminal trilogy mixed with the more dissonant black metal path, Thrall from Australia is worth a mention. Also, it reminds me of the riffier side of Burzum's early imput with a better and crisper production, of course. The bass is quite buried under the mix, but that's something I was expecting with this kind of black metal, the focus is on the guitar and it's rewarding enough. As far as I know, Boucher being originally a drummer isn't crazy about innovation here, it's professional enough and that's fine with me, the use of cymbals is particularly good. The production is great for a first album, there's no problem there, however, I would prefer the vocals to be a bit more present in the mix, but that's a minor complain. The vocals are your traditional black screechs and while being great, they don't break any new grounds, why would they anyway?
The band's sound confirms my assumption that the Québec scene is quite healthy in its conservatism, there's no shoegazing and post black metal among Décombres' peers, proof that you can be original while not jumping into the trendy wagons of our cousin Neige (the only snow he's familiar is ours when he tours here). Note that I have nothing against these particular genres, I feel that they're only temporary...
Décombres' sound, while
truly influenced by our northern brothers of Europe, remains rooted
in the Quebec's scene. But, don't expect something like Neige et
Noirceur or Forteresse here, there's no folk influences and the
atmosphere is created by the fast riffing style instead of long and
slow dirges. It's more in the vein of newcomers Neige Éternelle and
one of the mentors of the scene, Frozen Shadows without the haunting
keyboards though. While we're talking of Martin Marcotte's band,
Décombres would fit perfectly on his high quality label, Sepulchral
Productions (simply putting this here...) Still, Décombres is its own thing, the influences are
obvious, but their sound is fresh and the smell of spring is vivid in
the midst of their enchanting sound. The Lyrics are in French, but
if you're afraid of the evil French Canadian separatists, rest
assured, they have more in common with Monarque and Crépuscule than
Brume d'automne and the aforementionned Forteresse. It's dark,
personal and evil without being nationalist and satanist. Fortunately, the themes
fits the music and that's an achievement in itself. Look for the
rubble, every parts are important to create something worthy. That's
something Boucher did with this album and he'll certainly do even
better as this is his first album.
Apart from the short
interlude in the middle of the self titled release, there's not a lot
of place to breath, it's a complete album with excellent and varied
atmospheres. There's the right amount of melody and agression to
please most black metal fans. Phillipe Boucher made a bold statement
with this album, he'll be a force to reckon with among the black metal artisans of our snowy province.
Black metal tabarnak!
Black metal tabarnak!
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