Friday, 14 October 2016

Ezra Brooks – Target Promo 2016 / 82%

Bourbon Whiskey infused with Arcane heavy metal

Originality in heavy metal is often hard to reach or achieve without losing the essential traits of the classic genre. To distinguish themselves from the masses, the artists must deliver a distinctive sound within the confines of the style, bands like Borrowed Time, Demon Bitch or even Darkthrone with The Underground Resistance managed to reinvigorate the genre. Ezra Brooks, with their debut release, successfully wrote fresh and exciting heavy metal made for connoisseurs.

The arcane heavy metal path is one I've been following for a while now. It's often mixed with doom and sword or sorcery (see Atlantean Kodex or The Gates of Slumber) or it's simply slower than your usual trad heavy metal. The main characteristic of this abstract sub genre would be the mix of high octane riffs and an occult and elegant atmosphere. The sole album of the aforementioned Borrowed Time or Howie Bentley’s Cauldron Born and Briton Rites are good examples of arcane trad metal. In Solitude’s Sister wouldn’t be a bad choice either. Emotional weight through uncompromising heavy metal riffing, basically. I believe that's what Ezra Brooks plays too.

Following the Canadian path created by Tales of Medusa (the last track is a cover of this mysterious band), Shawn Vincent wrote subtle but engaging metal with hooks and depth. Only joined by Jan Loncik, his companion in Hrom (power/speed/heavy), who handled the guitar solos, this is a one-man band project but with an interesting narrative.

I recently reviewed Lascaille Shroud's latest album and while we're in completely different territories musically, the science fiction story-line involving the character Ezra Brooks has the similar feel. This pulpy sci fi/fantasy setting works really well with the style, it’s fun without being saccharine and smart without being pretentious. There’s a cerebral edge to Ezra Brooks’ music but it’s never turning into a “progressive” mess.

The production is great and everything sounds good, I dig the guitar tone a lot. Nevertheless, there's still a definite will to make this sound timeless or unpolished and this what makes me really dig the approach. Vincent's voice is quite buried underneath the mix, he's not the most talented vocalist but the material is written and played with this in mind. The most important aspect of music is that you must know your strengths and weaknesses. His strength is writing tight epic riffs without unnecessary garnishes.

The material’s main inspiration is perhaps the ballsy sound of USPM but there’s nods to other scenes such as the early 80s German power scene. Considering Vincent is a bassist in his other two bands, the instrument certainly has a place of choice here but it’s not overbearing or anything. The drums could had been heavier and faster though but overall, it doesn’t feel like it’s only one dude at all. The longest track “Weilding the Mirrored Gauntlet (Escape The Labyrinth)” also has some synths elements adding a certain sci fi flair to this epic number without any cheese whatsoever.

2016 is a year with great heavy metal on the lo-fi side of the spectrum (check out Scalare, Barrow Wight or Angel Sword) and Ezra Brooks (the name of a Bourbon Whiskey brand!) definitely brings something interesting to the table. I’m pretty excited to hear the future releases.


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