Epic
English artful metal
The English lads are back with their fourth album and it’s their most ambitious work since their formation. Beyond the Veil is a truly epic album clocking over seventy minutes and really showcase everything the band can do. I’ll admit the length was overwhelming at first and I still think it’s too long for the genre they play but there’s nothing disposable to be found on the record. They suffer from the same syndrome one of their main inspirations has been suffering for a while, I’m of course talking about the overlong albums of Iron Maiden.
Their
mix of classic NWOBHM with the fun folky melodic side of Skyclad is
enjoyable but since their
formula is so uplifting, it’s a bit too much at times. They do
unleash the necessary slower and calm moments such as the two
interludes but those are a bit too short to really catch your breath
between the busy, often long
numbers (six songs over six minutes). Songs like “Earthbound”
bring a melancholic mid-paced feel but still
brings out the riffs. For
such a long album, there’s not a lot of surprises but the title
track has those added female vocals adding an ethereal influence to
one of the catchiest tracks of Beyond the Veil. This
same song also has a pure folk break without turning it into a cheese
fest.
I’ve been listening to the album a lot and while it’s an exhausting experience, it’s nevertheless a rewarding. I do feel like skipping some tracks to reach the concluding fourteen minutes epic “The Lore of the Land” which really feel it could be on Dance of Death or The Final Frontier (I love those albums by the way)
I’ve been listening to the album a lot and while it’s an exhausting experience, it’s nevertheless a rewarding. I do feel like skipping some tracks to reach the concluding fourteen minutes epic “The Lore of the Land” which really feel it could be on Dance of Death or The Final Frontier (I love those albums by the way)
Josh
Winnard’s second album with the band sees the singer expands on his
performance from
The Awakening.
The
dude sounds really good and fits the elegant traditional metal
identity of Dark Forest very well. His approach is clean, powerful
and he has a lot of range and really fits the powerful vibe the band
explores. Sure,
he’s not rough or anything and is perhaps one of the most
noticeable power metal aspects of the band but I enjoyed his
contribution. The
choruses and vocal lines are super epic and
never boring.
Patrick
Jenkins and the band founder Christian Horton both delivers excellent
twin guitar harmonies and
like their ancestors, their
guitar styles encompass heavy, folk, epic power or
even speed metal and
considering the songs are packed, it’s always combined into a
tightly knit package. The leads are well
written and they also know how to write clean soothing moments (like
on “The Wild Hunt” ).
While
it’s too long-winded for nothing, Beyond
the Veil is
a great album worth your precious time if you like this kind of
metal. They’re certainly able
to represent England’s past in a wonderful way.
Originally published on The Metal Observer
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