90s
Viennese
gem
The
sole album by these fellows from Vienna really really impressed the
hell out of me and I'm grateful to my fellow moderator friend Azmodes
for the discovery. Heavy metal was basically relegated to the abyss
during the mid 90s (the grand era of extreme and nu-metal) but this
is really hard to pinpoint or place into a rigid genre so I'll try to
describe them correctly.
The
first impressive aspect of Black Acid is the voice of Claudia
Jusits. Her approach is varied but always charismatic, from lovely
AOR inspired vox (“Burning With A Hard Flame”)
and a wide variety of other types including some harsher moments
(“Law of Residence”, “Snake Bite Lady”). She's highly
theatrical without being unnecessarily operatic (a common and
regrettable thing in nowadays female fronted metal). Nevertheless, I
do prefer when she's using her clean vocals without any frills
though, some of the experimentation was
somewhat unnecessary and almost
grating.
This totally fits the excellent versatile record, calling them “heavy metal” is certainly a stretch since there's so many stuff thrown in there. From progressive metal (these guitar leads are atmospherically complex and super interesting) to a sort of primal thrashy metal (using the aforementioned harsh vocals) to a sort of avant garde tinged epic metal. It almost sounds like Accept trying to be Seventh Son of a Seventh Son era Maiden with hints of Fates Warning, Faith No More and early 90s groove, thrash & death metal. The contemporary American band Christian Mistress definitely evolves (relatively) in the same niche as their sound is pretty unorthodox and their influences not automatically discernable
This totally fits the excellent versatile record, calling them “heavy metal” is certainly a stretch since there's so many stuff thrown in there. From progressive metal (these guitar leads are atmospherically complex and super interesting) to a sort of primal thrashy metal (using the aforementioned harsh vocals) to a sort of avant garde tinged epic metal. It almost sounds like Accept trying to be Seventh Son of a Seventh Son era Maiden with hints of Fates Warning, Faith No More and early 90s groove, thrash & death metal. The contemporary American band Christian Mistress definitely evolves (relatively) in the same niche as their sound is pretty unorthodox and their influences not automatically discernable
It
would be a missed opportunity not to mention the classic female
fronted Belgian band Acid in this review as they share some similar
aesthetics but the Austrian is a darker and weirder version.
It's there in the musicianship too from the strangely epic “The
Dragonslayer” and its acoustic guitar
breaks to some of the strange combinations of genres mentioned
earlier. If
you're feeling adventurous and want some sort of strange milk in your
heavy metal coffee, Black Acid is a good bet. It hasn't aged that
wonderfully but it's still quite rewarding in its own way.
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