An enjoyable sense of doom and death
I was recommended this band by a friend and I judged them perhaps too hastely because of the cover art but also the title of their album. I thought it was a bit corny and I expected the music to be some sort of pseudo depressive metal/rock à la Katatonia. But eh, I was wrong. While it's certainly sad, it's serious, well written and not sappy at all. The LA quintet's debut album is an excellent album and it's already showcasing some serious songwriting skills. They understood how to thoroughly mix genres very well, even though it's their debut full length, these dudes are certainly experienced musicians and this record is a proof of it.
It's
clearly an extreme doom metal album with
nods
to both doom/death and
funeral
doom, there's
even some
post
rock elements.
It's
all
wonderfully mixed together in long intricate songs. A track like
“Hibernal Sun” is including some really lovely post rock moments
and it fits
very well. Furthermore,
the
transitions between the genres are done
effortlessly
and
the ten plus minutes tracks formula works for them. The
Metal Archives classifies them as a doom/death metal band and, for
the most part, it's accurate but they're
much more than that. They're
one of those bands that are hard to classify since they're largely
original. I guess tags like “dark metal” or “atmospheric doom
metal” are also accurate for Pendulous. One
thing that's pretty obvious is that you will not find any happiness
here!
Eric
Rezső Mendoza (also
stellar in his
former band Dona
Eis Requiem)
has
to be the highlight of this album, the duality of his vocals is quite
interesting. Ranging from deep,
harsh vocals borrowing from both death and black metal (but
mostly funeral doom)
to profound cleans reminding me of Aaron Stainthorpe or
the emotional
traditional
doom
voice
of Patrick Walker. E.R.M.
has a very versatile voice and it helps to create the same vocal
combo present in Mourning Beloveth, a band that I could identify as
their nearest peer.
The album starts and ends with spoken word over some gloomy music and I thought they were a bit too much and unnecessary, that's almost ten minutes out of a hour album but, at least, he has an intriguing voice so it's not completely useless. I have a tendency not to skip any tracks but I guess I will when I'll listen to this album again. These spoken vocals are also included in the bulk of the album and it adds to the varied atmosphere. It's still something I'd personally remove as they're already able to convey many emotions just with their musicality and it's frankly a bit grating. It's a personal thing, really, someone might like what they done with this. Nonetheless, that's the only negative thing I have to point out about as it's very strong otherwise.
The album starts and ends with spoken word over some gloomy music and I thought they were a bit too much and unnecessary, that's almost ten minutes out of a hour album but, at least, he has an intriguing voice so it's not completely useless. I have a tendency not to skip any tracks but I guess I will when I'll listen to this album again. These spoken vocals are also included in the bulk of the album and it adds to the varied atmosphere. It's still something I'd personally remove as they're already able to convey many emotions just with their musicality and it's frankly a bit grating. It's a personal thing, really, someone might like what they done with this. Nonetheless, that's the only negative thing I have to point out about as it's very strong otherwise.
From
what I said, it's safe to imply that the material present here is
quite slow but they keep things interesting with a lot of dynamism
and many
atmosphere variations like some super heavy riffing and
slow moments full of shadows. While
it's obviously a “technical” band and there's no shred or the
likes, the musicians all subtly shine. The drums are a mix of some
blastbeats and more traditional percussions while the bass (sometimes
noisy and thundering)
is apt at filling the void when the two guitars are at their softest.
The
guitars are really great when they play with textures and try their
hand at atmospheric post rock and the likes. There's also some
supplementary instruments like cello and piano (listen
to “Memoirs”
and they add a welcome classical
background to the music.
A
Palpable Sense of Love & Loss (that's
a mouthful) is excellent at mixing moods, the despair is present in
both the doom/death metal attacks and their reflective and rich side.
Their
lyrics are poetic and melancholic with an added sense of dread and
sorrow to them as we could expect from a band evolving in those
genres but it's totally evocative and romantically somber.
The
band sounds more like something found in Northern Europe than a bunch
of dudes from the Los Angeles area. They channel their aggression in
a classy, solemn
manner
unlike the Bay Area thrash metal, that's for sure. Highly
recommended.
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